Steven Mickle is a signature member of the
Pastel Society of America.
The following is reprinted with permission of Pastel Society of
America,
15 Gramercy Park South, New York, New York, 10003.
Pastel is pure pigment, the same pigment used in making all fine art
paints. It is the most permanent of all media when applied to conservation
ground and properly framed. Pastel has no liquid binder that may cause
other media to darken, fade, yellow, crack or blister with time. Pastels
from the 16th century exist today, as fresh as the day they were painted.
No restoration needed, ever!
Pastel does not at all refer to pale colors, as the word is commonly
used in cosmetic and fashion terminology. The name Pastel comes
from the French word "pastische" because the pure, powdered
pigment is ground into a paste with a small amount of gum binder,
and then roiled into sticks. The infinite variety of colors in the
Pastel palette range from soft and subtle to bold and brilliant.
An artwork is created by stroking the sticks of dry pigment across
an abrasive ground, embedding the color in the "tooth"
of the paper, sandboard or canvas. If the ground is completely covered
with Pastel, the work is considered a Pastel painting; leaving much
of the ground exposed produces a Pastel sketch. Techniques vary
with individual artists. Pastel can be blended or used with visible
strokes. Many artists favor the medium because it allows a spontaneous
approach. There is no drying time and no allowances to be made for
a change in color due to drying.
Historically, Pastel can be traced back to the 16th century. Its
invention is attributed to the German painter Johann Thiele. A Venetian
woman artist, Rosalba Camera was the first to make consistent use
of Pastel. Chardin did portraits with an open stroke, while LaTour
preferred the blended finish. Thereafter, a galaxy of famous artists
. . . Watteau, Copley, Delacroix, Millet, Manet, Renoir, Toulouse-Lautrec,
Vuillard, Bonnard, Glackens, Whistler, Hassam, William Merritt Chase
. . . just to list the more familiar names, used Pastel as finished
work rather than preliminary sketches.
Degas was the most prolific user of Pastel, and its champion. His
protégé, Marry Cassett, introduced the Impressionists
and Pastel to her friends in Philadelphia and Washington, and thus
to the United States. In the Spring of 1983, Sotheby Parke Bernet
sold at auction two Degas Pastels for more than $3,000,000 each!
Both Pastels were painted before 1880.
Today, Pastel paintings have the stature of oil and watercolor
as a major fine art medium. Many of our most renowned living artists
have distinguished themselves in Pastel, and enriched the art world
with this beautiful medium.
Note: Pastel must never be confused with colored chalk. Chalk is
a limestone substance impregnated with dyes.
Pastel is sometimes combined with watercolor, gouache, acrylic,
charcoal or pencil in a "mixed-media" painting, but it
is incompatible with oil paint.
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